Decorative Liquid Metal Coatings

UK Liquid Metal | London Success

UK Liquid Metal stars at the London Surface Design Show

UK Liquid Metal is in the very safe hands of Craig and Alison McDonald of Granlyn Specialist Coatings.  Granlyn has now exhibited at the London Surfaces Design Show for three years in a row. Every year its stand is brighter, bigger and better and this year was no exception. Once again, the Metalier stand was the star of the show. And we love Granlyn’s new strap-line “Let the art begin”. That’s exactly what Metalier is all about.

UK Liquid Metal’s stand featured Metal Coated Strand-board

It was coated strand-board that received the most comment and interest. It is an excellent example of how you can take an inexpensive material and with Metalier Coatings transform it into something amazing. This finish was featured in the Dior fit-outs in Auckland and Melbourne which were recently completed.

The Metalier stand also featured a polystyrene iron coated ball. Studded with magnets it demonstrates beyond question that this is real metal you are dealing with. It also looks so real that people lean on it. This can be a little interesting!

Lined up on the stand, dressed in Metalier Black, alongside Craig and Alison, was their Granlyn super-salesman, Steve. They need plenty of staff on hand as there are so many people who are impressed by Granlyn's creativity and want to know how they can be part of the world of Metalier.

Well done again team. At HQ, we all salute you and thank you for being part of Metalier International. Granlyn also does amazing work. If you haven’t seen The Leicester Grand Hotel you should check it out here.

To contact Craig click here.
To contact Alison click here

And to contact HQ click here or complete the form below.

by mary

Bronze bowls | Metalier liquid metal

Metalier Bronze bowls were created by a design student 

The bronze bowls created by design student, Shiri, resulted from her exploration of how traditional processes and materials could be complemented and extended using contemporary approaches - the best of the old alongside the best of the new.

The bronze bowls project were part of the second year Industrial Design and Innovation programme at AUT, Auckland. This programme is supported by Rebecca Dowie of Douglas and Bec. This company has been producing furniture and lighting since 2006. It has a particular focus on creators with an artisanal ethos who produce thoughtful, innovative work...an ideal fit for an AUT Studio project!

To create the bronze bowls Shiri used the precision that CNC cutting can achieve to form 'nesting' wooden forms. Her original plan had been to use cast bronze linings to her wooden bowls, but the cost to prepare and finish these, along with the weight led her to look for alternatives. Metalier cold sprayed bronze allowed her to successfully meet both practical and aesthetic objectives; the CNC lining was an exact fit to the inside of the wooden bowl, something that would have been far more difficult to achieve had it been done in conventional ways.

Michael Smythe in his recent book describes New Zealand Design as 'neither opulent nor sterile. It is accomplished with a light touch rather than a heavy hand. It delights in who it's for and how it's made. It is direct and to the point, and it doesn't take itself too seriously. It offers no 'bullshit' honesty with a twinkle in its eye..." Students were asked design more or less anything within the gamut of domestic ware, but to purposefully set about acknowledging these characteristics in their work.

An intelligent marriage of materials, sensitive use of form and materials in an unconventionally conventional bowl....a good example of Kiwi design?

Talk to us to see how we can help the twinkle in your eye. Contact us here or complete the form below.

by mary

Metal hands | Metalier Liquid Metal

Metal hands caught Metalier’s eyes

Metal hands used as a handle in a dear little church in Little Akaroa, Pigeon Bay on Banks Peninsular, New Zealand, caught my eye on a recent visit to the South Island. The history of the church and the settlement in Little Akaroa is an interesting one.  Bishop Selwyn visited there in February 1856 travelling in his mission schooner.

It is told that as the schooner’s rowing boat neared shore the Bishop called out “Do you know who I am? I am Bishop Selwyn, the travelling Bishop”. With that he leapt out of the rowing boat into waist deep water and helped pull the boat to the beach. We expect that he wasn’t wearing his mitre at the time.

The current church building which house the metal hands was built in the years 1905-6. It was built under the direction of a Mr Menzies who was a well-known local amateur carver “of the highest order”.

The outward appearance of the church is concrete with a pebble dashed surface. The church is designed in the well-known cruciform pattern with a little bell tower. It is well proportioned. Nothing on the outside prepares you for the inside however. The church is lavishly decorated in Maori form carving, White limestone features Maori carvings, the rafters are decorated with Maori patterns and there were Maori designs in the coloured glass.

It was unusual for this period to use Maori patterns and St Luke’s is one of the earliest European buildings to feature them. It seems that Mr Menzies did not consult local Maori who were somewhat put out about the use of their designs.

The little metal hands feature as a door handle on what looks like it could be the door to the choir vestry. Metalier can design and coat door handles to enhance any door. Just try us!

Contact us by telephone 021 732746  or complete the form below.

by mary

Copper lace table | Metalier Liquid Metal

Evoque copper lace table

The copper lace table featured is the result of a design collaboration between Amanda Neill of Designworx and Metalier Coatings.

This copper lace table is the first piece in a line of tables Amanda has created as a collection. The design is typical of Amanda’s work – it is striking, it is “out there”, it is utterly gorgeous and it is very different. Amanda loves colour, boldness and everything exotic. It is exciting working with her and stretching the capabilities of the Metalier Coatings Amanda chooses to use.

This nostalgic and romantic copper lace table was created using real lace which is applied to the surface of the piece and over the edges. Metalier Coatings are sprayed through the lace to create the pattern. After curing the copper is polished and then patinated. A dark patina was applied to give the pattern an aged look. A green patina was used to create the Verdigris look in the stripe in that runs off centre through the table.

The finishing touch was Metalier’s Nano Clear coat which is applied in a very thin but robust layer. The nano clear ensures that the finish doesn’t oxidise beyond the desire look and it protects the surface.

The legs of the copper lace table are all hand lathed from solid wood. Each leg is different and each is finished in aged copper.

The copper lace table dimensions are 1000 x 1000 x 450mm.  You can purchase the table through Designworx or by contacting Metalier directly.

Metalier has also competed a hall table in this collection. Three other pieces will be completed in the early part of 2016.

Metalier is always keen to work with designers and creatives to help them to realize their ideas. To contact us either click here or complete the form below.

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Metal Doors | Metalier Liquid Metal

Creating beautiful metal doors

Creating beautiful metal doors is one of the things we like best and do best at Metalier Liquid Metals.  We enjoy it so much because it enables us to work closely with clients, designers and builders to create a special “Wow” feature for homes, apartments, offices, restaurants and shops.

Your involvement in the process can be as much or as little as you like.  There is a door on the floor of the workshop in Henderson right at the moment which is very much a “hand’s on” project.  Samples have been created which the clients love.  “Awesome” was the word they used.

And just this week the designer has been in to mark out where she wants to locate the pattern lines.  The metal being used - our smoky bronze is a sultry moody colour.  The door itself is huge 2100 x 2200 – a total of 10 sq m including both sides and the edges.  The door is going to be an indoor feature in the lounge/living area.  And feature is the operative word.  It is going to be spectacular.  Pictures are promised.

Metal doors can be created using a variety of substrates

One of the benefits of Metalier is that it will adhere to almost any substrate.  The only things which are “no go” are silicone, waxed objects and people!  Metalier will adhere to anything that can be keyed to create a rough surface.  We couldn’t do a Goldfinger James Bond lady, for example.  (I was very disappointed to learn that death by gold painting was scientifically impossible.)

The most common substrates for doors, both indoors and out are wood and aluminium.  Both deliver excellent results.

One of the things that gives us the most satisfaction is delivering to the clients expectations on budget and on time.  And don’t think that a metal door is unaffordable.  It’s not and we can show you how.

If you want to make a statement contact us by telephone or email or complete the form below.

by mary

Opera Stage Sets | Metalier Liquid Metal

The opera stage set is an important part of the art

At Metalier HQ we’re very interested in opera stage sets and opera stage design. In fact we confess that opera is our favourite type of classical music. (We’re fond of Leonard Cohen, Bob, Fleetwood Mac and the Beatles too.)

Living in New Zealand we don’t get much live opera so we’ve been devotees of the Metropolitan Opera Live in HD series. This series, which you view at a cinema, takes you to an opera at the Metropolitan Opera in New York.  A live performance at the opera is filmed and transmitted immediately to a live audience at many places round the world. It is also recorded of course and the recordings are played in cinemas.  That’s what we go to see.

Most of the popular operas have already been performed including Wagner’s Ring Cycle. One of the operas took 6 hours and we had to have a dinner break in the middle.

The opera stage set for the Ring Cycle was captivating

The opera stage for Wagner’s Ring Cycle was deceptively simple and modern. It involves 24 identical wedges which are able to rotate independently on a horizontal axis across the stage. This provides level, slopping, angled or moving surfaces facing the audience. Bubbles, falling stones, fire and all sorts of colours are projected onto these surfaces.  The visuals are linked by computer with the movement of the characters and the music. Just magical!

Rhine maidens could slip down the blue slopes of the surfaces – in fact it looked very slippery. The Valkyries rode them like horses.  It’s impossible to describe the effect in words but you can watch the opera stage in action on this Youtube video of the Ride of the Valkyries.

And the relevance to Metalier you ask? Well it looks very much to us that the opera stage is made of metal. Indeed that’s logical because only a shiny surface would be able to reflect the light, flame and bubbles sufficiently. We rather fancy doing an opera stage set or maybe a movie set so if you’re thinking about creative we’d love to hear from you. We like the Valkyries' metal costumes too - Metalier Flexible metal could be the go here too.

If you want to talk to us about your next creative idea, musical or otherwise, or want to talk to us about opera or even sing to us you could contact us or complete the form below. Either way, we’re looking forward to it.

by mary

Metalier saves $6.3 million dollars on kinetic sculpture

Metalier liquid metal and kinetic artists create affordable design

Kinetic Sculpture is just one way in which Metalier liquid metal can demonstrate its cost-effectiveness.  Admittedly kinetic sculpture is not exactly a mainstream commercial avenue for liquid metal.  It does, however, provide a stunning comparison between the costs of using Metalier as against sheet metal.

Len Lye Foundation Engineers have looked to Metalier.

Len Lye’s kinetic sculpture was way ahead of its time and many of his ideas are still to be executed.  Metalier has been invited to test its coating on a particular work of art that Canterbury University engineers are building.  The design which is on a civic scale involves seven 50 metre strips of stainless steel that move like a serpent and hit an end piece that makes a light flash.

The strips of stainless steel are estimated to cost $1 million dollars each.  This makes the sculpture cost well over $7 million dollars. This is big money even at a civic level, or perhaps one should say, especially at a civic level.  Manufactured in fibreglass and coated with Metalier liquid metal the strips are estimated to cost, in total, about $700,000 – 10% of the cost of the stainless steel sheet metal.  This is a saving of $6.3 million dollars.

Canterbury University are naturally keen to test Metalier for this role.  So far our own tests indicate that the metal coating will withstand the pressure put on it by the kinetic action.  Some of the strips lie in water when they are not being serpents and we know that water presents no problem for Metalier.  The real question now is how the fibreglass strips will perform.

Kinetic sculpture waves in the breeze.

I don’t know about you but I find kinetic sculptures mesmerizing.   I could watch them for hours swaying and changing as the wind blows.  Students at Canterbury University are working right now on a wand to be made of fibreglass or carbon fibre which will be coated with Metalier liquid metal.  This will be a great test for the Metalier coatings and another way we can showcase them to the world.

Please enjoy the sculpture Kinetic Rain in Changi Airport Singapore by German design firm Art+Com.  This sculpture moves by computer-controlled motors rather than the wind.  Rather better for indoors we think.

Artists, sculptors and kinetic addicts can contact us right here or fill in the form below to get in touch.

by mary